If you commit to using this system you must have a very large pocket book and incredible discipline to walk away when you acquire a tiny success. For the purposes of this article, a figurative buy in of $2,000 is used.
The Horn Bet numbers are certainly not looked at as the "successful way to compete" and the horn bet itself carries a house edge of over twelve percent.
All you are gambling is five dollars on the pass line and ONE number from the horn. It doesn’t matter whether it’s a "craps" or "yo" as long as you wager it always. The Yo is more popular with players using this approach for apparent reasons.
Buy in for two thousand dollars when you approach the table but put only five dollars on the passline and $1 on either the 2, three, eleven, or 12. If it wins, awesome, if it does not win press to $2. If it loses again, press to four dollars and then to $8, then to $16 and following that add a one dollar each time. Each instance you do not win, bet the previous wager plus another dollar.
Adopting this scheme, if for instance after 15 tosses, the number you selected (11) hasn’t been thrown, you surely should step away. Although, this is what might develop.
On the tenth roll, you have a sum of $126 in the game and the YO finally hits, you gain three hundred and fifteen dollars with a take of one hundred and eighty nine dollars. Now is a perfect time to walk away as it is more than what you entered the table with.
If the YO does not hit until the twentieth toss, you will have a complete bet of $391 and seeing as current action is at $31, you come away with $465 with your take being $74.
As you can see, employing this system with just a $1.00 "press," your take becomes tinier the longer you play on without succeeding. That is why you must go away once you have won or you have to wager a "full press" again and then carry on with the one dollar mark up with each toss.
Carefully go over the data before you attempt this so you are very adept at when this approach becomes a losing proposition instead of a profitable one.
